Two South African bulbs, both excellent, both largely absent from American arrangements for no good reason.
Two South African bulbs, both excellent, both largely absent from American arrangements for no good reason. One solves the autumn colour problem and the other solves the summer height problem, and between them they cover the two moments in the year when a florist most often runs out of ideas.
Nerine bowdenii and its relatives flower in October and November — which is to say, at the exact point in the year when the garden is finished, the dahlias have been frosted, and everything left is chrysanthemum.
What emerges from a bare bulb is an umbel of six to twelve narrow-petalled flowers, recurved and slightly ruffled, on a clean leafless stem about eighteen inches tall. The colour is the thing: an intense clear pink that catches light in a way that looks almost metallic. The petals have a genuine crystalline glitter under direct light — it is a real optical property of the cell structure, not a trick of photography — and it is the reason the flower has been prized in Britain for two centuries.
It comes in white (Alba), coral, and a deep magenta as well, but the standard bright pink is what it is famous for.
Vase life is exceptional: two to three weeks. The individual flowers in the umbel open in sequence, so the stem holds its appearance throughout, and there is essentially no maintenance beyond changing the water.
Why it is underused: the season is genuinely short and it is not grown in volume in the Americas, so it comes in through specialist channels. It also has no American cultural associations whatsoever — no wedding tradition, no holiday, no meaning — which in this market makes a flower invisible.
Use it where an autumn arrangement needs a colour that is not orange, bronze or burgundy. Nerine against dark foliage and berries is one of the sharpest combinations available in November. It also works alone, in a narrow vessel, in a quantity of five or seven, and looks considerably more expensive than it costs.
Agapanthus africanus and its hybrids — the Lily of the Nile, though it is neither a lily nor from the Nile — flowers in June through August, and produces a large globe of trumpet flowers on a stem that runs from two to four feet.
The colour is a genuine blue-violet, sometimes closer to true blue than almost anything else available. Real blue is scarce in flowers — delphinium, iris, muscari, hydrangea and agapanthus are most of the list — which makes it disproportionately valuable in summer work. There is also an excellent pure white.
Vase life is one to two weeks, with the individual trumpets opening progressively across the head. Deadhead the spent ones and the sphere keeps its shape.
Two handling notes. The stems are thick, hollow and full of sap, and they foul water rapidly — change it every two days without fail or the smell becomes noticeable. And they are top-heavy in a way that catches people out: a four-foot agapanthus in a light vase will tip it over, and the vessel needs to be genuinely weighted.
Where it belongs: summer arrangements that need height. It does for July what allium does for May — a sphere on a bare stem, adding scale without density. It is superb in large-scale work, and a group of nine white agapanthus in a heavy floor vessel is one of the most effective things you can do in a large entrance hall in August, for a fraction of what an equivalent arrangement of anything else would cost.
Our Capitol Hill Blue Grace works the summer blue register, and Dusty Blue and Sage Arrangement takes it cooler. For height in a large space, Hotel Lobby Grand Arrangement is the format.
Because they are the same solution to opposite problems, and because they demonstrate something worth understanding about how flower markets work.
Neither of these is rare, difficult or expensive to grow. Both are common garden plants in Britain, South Africa and Australia. Their absence from American arrangements is a distribution and demand artefact, not a horticultural one — nobody asks for them, so nobody stocks them, so nobody sees them, so nobody asks.
That loop is worth knowing about generally, because it applies to a lot of good material. The flowers you see in a shop are not the best flowers available; they are the flowers with enough existing demand to justify the cooler space. Asking for something outside that set is how it changes.
Both need lead time — three to seven days is usually enough for a florist with good wholesale relationships, and the answer in the wrong season will simply be no. Nerine: ask in October. Agapanthus: ask in July.
Say the name. That is the whole technique. A florist handed a specific varietal request will generally go and find it, and the request itself is what eventually puts the flower on the standing order. The Bloom Preference Service exists precisely for this kind of conversation — it is where a request that is not on any product page belongs.
Tempo Lazer
Tempo Lazer Flowers Studio
From the Studio
An all-green arrangement is the single most underrated thing you can put in a room.
Blue is the hardest colour to buy in flowers, and the reason is genetic rather than commercial.
In the second week of February, the flower markets of Europe fill with something Americans almost never see: branches of tiny, intensely yellow, powder-puff flowers with feathery grey-green foliage and a sweet honeyed scent.